what was recorded |
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|
Ovin: recording just the sound because this helmet camera has a weak infra and we're going through much of a darkness. We've found traces of people here though nothing can be seen. Both Pinifa and I record at times. We tried to call, but there's no screens in these corridors; the pocket one gets nothing, just a message that connection is not available due to interference. Probably the walls are done in some special material, or we're too far away from the net. |
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| Pinifa: it's some half an hour later now. Traces are rather easy to
follow. We roughly know where we are: we started almost without looking,
pulling a finger over the wall from Murphy's plate to the right. At random,
I must say. Nose took us to some little door below the staircase. They
said we'd rely on the hunch and "any rubbish that comes to your mind, who
know why it's (maybe) good, try it, and there's always time to decide what
is rubbish, and what is not". Who knows if we'd find it otherwise. It smelled
somewhat of burned insulators, which reminded me of some childhood events
(failed trying to build a threedee projector out of grandpa's computer;
all parts molten: important event which finally directed me into the only
thing crazier than electronics - psytronics). It was dark behind the door,
but didn't matter much. I felt by the smell and the mild hum through some
wall plate at the end of the corridor, that there's some other door there.
Then Ovin took the search over. |
||
|
Ovin: they say I see in the dark, but I used the torch a bit there.
Sounded a bit like sacrilege to the space, but I just had to check if the
wall in front of me was really somewhat differently greasy than elsewhere.
True, someone hand marks remained. There we found some buttons on the wall,
and I watched them carefully until I understood that only three of them
were pressed more often. Pinifa gave it a random try. |
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| Pinifa: there I was already taken by the feeling of the place and the
habit it makes; a routine of someone who passes there for years. The fingers
ran by themselves and the door opened. So we found it. It wasn't right
behind that door, but the next few doors and elevators opened in a similar
manner. |
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|
Ovin: This seems to be the last door. It's not even locked. We enter
the room. Room is strangely big, when you remember where it's pulled in.
I would never imagine there's so much space between the city water tank
and the main air filtering supply tunnel. This sentence feels too rough;
they must have had better words for all this tech stuff in the old days.
Neither Pinifa nor I knew there's such a place in the city. |
||
| Pinifa: the room is miserable. Lacks basic equipment. Kitchen doesn't
recognize voice, and... when I think it better, no machine responded so
far. Refresher has water only. No ionizer, no massager, no vibrator. But
there are things purpose of which is totally unclear to me. A primitive
bed in the corner. Some old woman sleeps on it. Doesn't look old; just
some traces of face work are seen, tiny cuts above the ear. Who knows how
many beautifies done? On the plate next to the console a go game board.
Don't remember the name of this position, but surely is one of the hundred
main unsolved problems. It's covered with dust, as many other things are.
Probably if was forbidden to the autocleaner to move them, or it's malfunct.
I don't see it anywhere. The only nice thing here is a huge screen over
half of the wall. We try it. We couldn't get any decent recording on it.
It gives only some fine abstractions. Not much of a big truth on life,
suppose it's because of too much detail. Looks like a sketch for something
big. Too many nervous tiny, no, not tiny, but painfully thin lines, connecting
parts. Strange picture of the world: many separate like figures, but in
reality they are all connected. Child's picture of man? Who knows. She
seems to have lived in a voluntary exile, disconnected from the world. |
||
|
Ovin: in this room we found a lovely senseless composition of metal
threads covered with plastic of all colours. Cover is removed at ends,
where they appear, and there's some other metal used to connect it to a
plate. These threads disappear somewhere in the walls and end up in the
console by the screen. Before the console, a big soft seat, one can sleep
in. She still asleep? All right, let her. Judging by the mess, she fell
asleep after some strange state, cause there are no visible signs of cleanup
being ordered, or whatever other things that usually get done before sleeping.
Can't find a recorder, and the purpose of the console isn't clear either.
My grandpa had one before he got his first dictowrite, and then he threw
it away. He had to use fingers to move each individual letter. We've found
three cursor balls. They work: they lead us well through the image on screen.
Though, the layer we get when we go deeper isn't much different. Let me
try another one. Lines change. Other lines, of other colors, appear; general
picture doesn't change. |
||
| Pinifa: it could represent growing: the same man in other times, in
other relations. Further, I see a lot of bad pressouts. They are mostly
small, they can fit on two fingers. Shiny metal pods peek out of them.
Insectomania? Mostly regular shaped, made of plastic. Some are malformed,
aberrant. In the niche, a minimal autodoc, collection of medicines, some
personal things, toys, chess set, some games written down, by hand, some
printed by machine. Let me take a little better look at the kitchen. Doesn't
respond to voice, and I'd really need a stronger tea. Though, it doesn't
look bad. This could cook anything, I just don't know if anyone else beside
the old lady knows how to give instructions by the console. Why did they
make consoles at all? I think its completely superfluous for a man to remember
what does which key do, or how to type correctly. How doesn't she mistype? |
||
|
||
Old lady: It never could. Good old handwork. Press it! So. Ahh, this feels good. Give ef twelve. Type "coffee. cheese. ham. eggs. /mirrored /no_ketchup". Push the little table over here, when it gets it a bit kicked out of the box. What stopped you? Oh idiot to be idiot! "Coffee" is written the way it reads: C-O-F-F-E-E, then period, then blank, it's the long key down there. So. You'd be seen to order something in a tavern some hundred and fifty years ago. You'd starve dead before you typed the order. Ah, here it is. My cook has done its job faster than it took you to order it what to do. Where are you staring at? The table has no engine of its own, but it's easy to push. Ouch, if only I could stand up, I'd have shown you! |
||
| Ovin: I'd interrupt you now: how can a city, how you called it, pirate,
adjust the life of a city? It's all automated and obeys the personal request
of an individual or the vote of interested majority. If somewhere personal
wishes collide, a vote is taken, and that in just a couple of seconds,
we all have communicators, ten times a day the city asks for our opinion
on various matters. |
||
Old lady: and how many times were you interested in what it asks? Can you be in the interested majority if nothing occupies you except your art research? I give you bread to eat and warm you up to sleep and you don't care about the rest. What's your recognition? |
||
| Ovin: GDT66SHAIQ, if you mean numbers. |
||
Old lady: type just ef nine, then your number, then push the left ball down. What do you see? The whites are areas which were of no interest to you. Hey, my little one, you have at least 0.92 white! You're all like that. What do you think the city does then, when you are not interested in what it should do? It offers you the calculated best solution. Have you ever refused it? Never. And how will the city know the base upon which to calculate? Someone must supply it the data on human wishes. |
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| Pinifa: and that's your job? |
||
Old lady: It's not. Matter of fact, I'm jobless. This is a part of what I do. That aside, a lot of subsystems need surveillance, specially since my old Uzlib died. |
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| Pinifa: for example? |
||
Old lady: Here, Weather. Communications. Food. Water. Garbage. Rhythm of sleep. Heating. Health. Fashion. Sexual fashions. Schools. Transport. |
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| Ovin: Sometimes I wander whether those transport cabins go anywhere. |
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Old lady: No. They stay, just you leave. |
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|
Ovin: all right, say if I tell it I want to go to Pittsburgh. Where
will I arrive? |
||
Old lady: To south quarter. I've just clearly said there's no Pittsburgh, and since you, for one, wasn't curious to ask around what happened to it, neither am I curious to know where will you arrive, so I send you down. You may meet someone. I think you met Fagnija when you asked for Honolulu. |
||
| Ovin: I did meet her in Honolulu. |
||
Old lady: you are somewhat ripe for a hard reset. Where were the palms, where the sea, eh? |
||
| Ovin: Doesn't matter. All the cities are the same. |
||
Old lady: You were at the pool in eastern Lamstye. It says so in your register, there down the screen. Lift the left ball, so, now roll it left. Of course! You haven't ever been even to western Lamstye, and no word of ever seeing another town. |
||
| Ovin: Let's say it is so. |
||
Old lady: There's no "let's say", there's just one of the basic things in the Codex to keep only checked data. One thing unchecked and there I go to reprogram kitchens or do something as creative |
||
| Ovin: Cooking is creation. |
||
Old lady: It was. With nine kay standard years of gourmet experience archived, it's more a matter of digging it up the library than up the inspiration. |
||
| Pinifa: How did you feed? Did you go out of here? |
||
Old lady: Of course. I've ordered what I needed, or went to town. |
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| Ovin: Do you have documents? |
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Old lady: You're a cop? How many do you need? |
||
| Ovin: Just the ID card. |
||
Old lady: What do I need it for? |
||
| Pinifa: Well how did you move around town? |
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Old lady: I am the town. |
||
| Pinifa: Then, is there hope for our town. |
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|
||
| Ovin: Ex machina. |
||
Old lady: Yes, but to get back into his machine and not disturb you. Well, it won't go. I'm over two hundred standard, I won't do long, and I'm fed up with you already. |
||
| Pinifa: You don't like us? |
||
Old lady: Not too much. You carry some value; I appreciate psytronics, art... but can't love you as much as I think it takes. I didn't create all this trouble out of malice; it was a call for you to discover me. |
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|
Ovin: And if we didn't... Pittsburgh? |
||
Old lady: Not necessarily. May go easy, every day someone leaves. |
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| Pinifa: Doesn't your organization have more people? |
||
Old lady: And how many should we have? How many left? Are there the young? Think. |
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| Pinifa: World is, therefore, decaying? |
||
Old lady: Yes, because you as... not necessarily. I need an apprentice. |
||
| Ovin: A volunteer? To learn to be a Technician? |
||
Old lady: It's a must, and not just one. A school, while I can still make one. Let me sleep now. Type first ef twanny one, to close that draft on the south. I think they've already had enough. And you report to yours. |
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